The God-Eaters

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"Are you quite sure you want to know this?"

This page contains spoilers for the following Fallen London endgame content and Exceptional Stories: Ambition: Bag A Legend!, My Kingdom for a Pig, and Homecoming. Proceed at your own risk.

You can find out more about our spoiler policy here.

"Whether the captain was a drunken fool or just a drunk, I don’t know. But we ended up in the wrong Tomb-Colony! An awful place. It was bad enough to have to leave at all, but this place! Ruled over by ancient tyrants! Serpent, Red Bird and Cat. He wasn’t even a nice cat!"[1]

The God-Eaters are a trio of immortal beings who once ruled the Third City.

The Three[edit | edit source]

"You have a powerful conviction that someone is watching you."[2]

The God-Eaters are said to be the very oldest of the tomb-colonists,[3] and they reside in their own private tomb-colony of Xibalba.[4][5] Unlike other tomb-colonists, they are unambiguously immortal, and are said to be over a thousand years old.[4] Furthermore, while they appear humanoid, they are also described as monstrous, with gigantic statures and animalistic features,[6][7]

Despite all this, however, they still enjoy a good game of cards, and refuse to cheat.[8] They also retain a strange aversion to those who seek a mysterious and oddly important Name.[9]

The God-Eaters have three members, whose true names are unknown. They are known colloquially as the Mottled Man, the Red Bird, and the Serpent-Handed.[10]

The Mottled Man[edit | edit source]

"'The Mottled Man?' That's a familiar phrase..."[11]

A leopard.
The Cat

The Mottled Man,[7] also known as the Cat,[12] is a member of the God-Eaters who is said to possess jaguar-like features, such as sharp teeth, spotted skin,[13] and a powerful roar.[14]

While the God-Eaters seem to lack any apparent hierarchy, the Mottled Man appears to be the foremost member of the God-Eaters to a certain extent,[15] or at least the most well-known of the bunch.[7] Tales of the Mottled Man permeate regularly throughout Fallen London, written by the very maddest of poets.[7]

The Red Bird[edit | edit source]

"The stone knife is hot in your hand. The red bird waits high in the sky. You are a priest. Its priest. You are doing what must be done."[16]

A red bird.
The Red Bird

The Red Bird,[12] also called the Cinnabar Bird,[17] is a member of the God-Eaters who is said to possess "red feathers" that "whisper like a crowd of murderers."[18] When the Third City was still on the Surface, the Red Bird commanded a group of priests wearing feathered headdresses, who would carry out ritual sacrifices on his behalf.[19] Following the Fall of the Third City, these priests venerated Mr Veils, as well as the other Masters, as deities.[20][21]

In the present day, these priests have long since died.[22] They now wander the realm of Parabola, their number varying from seven to four to one at any given time.[23] If the Long-Dead Priests are offered a suitable dreamer, they harvest that person's dreams with their knives from the fabric of Parabola itself, taking a part of the dreamer's identity in the process.[24]

The Serpent-Handed[edit | edit source]

"It is gone, now. We gave it up, so we could persist. And now I wonder if it is better to be consumed than to endure."[25]

A serpent.
The Serpent

The Serpent-Handed,[10] also called the Serpent,[12] is a member of the God-Eaters who, as his name may suggest, is said to have serpents for hands.[26]

Despite gaining immortality, the Serpent-Handed is not as thrilled with his situation as he may have hoped. He still wonders if gaining immortality was a curse in disguise, and that perhaps he should have let himself be consumed rather than continue to live.[27] However, he still feels a sense of superiority over all other people: if there was anyone worthy of immortality, it would be him, and therefore anything he would commit to achieve his lofty goal would be justified.[28]

Xibalba[edit | edit source]

"That d–n fool of a captain got us lost, and we ended up in some uncharted, miserable Tomb-Colony. Worse than usual. Dust and death and smoke and glass. Dust and death and smoke and glass..."[29]

A sailing ship.
Off the coast?

Xibalba is a mysterious tomb-colony that serves as the home for the God-Eaters. It is said to be a place almost frozen in time, from when the God-Eaters were still glorious, and is littered with glass gates, pillars,[30] smoke, dust, and death.[31] Other landmarks include the City of the White Scorpion, which apparently contains rivers full of scorpions that chatter like a large crowd and place bets on which nearby ship would sink the fastest.[32]

The location of Xibalba is unclear, though it is accessible via ship across the Unterzee, off the main shipping lanes of the more well-known tomb-colonies.[33]

The Deal[edit | edit source]

Spoilers ahead for Fallen London's most infamous storyline: Seeking Mr Eaten's Name. Turn back now.

You can find out more about our spoiler policy here.

"A celebration! The God-Eaters lick their fingers, not to waste a scrap. They will live forever now. Much good will it do them. Perhaps they will eat you, one day. Perhaps. If they know you. If you travel to their lairs of dusty stone."[34]

"We are so hungry. Feed us. Feed us. We sit around the well, and wait."[35]

Ancient Mayan ruins.
Ruins of the Third City.

Back when the Third City was still on the Surface, the City's rulers, three priest-kings, relentlessly hunted down any beast, any meat, anything that would sate themselves.[36] Meanwhile, the Masters of the Bazaar had recently escaped from the Second City after being trapped there for centuries.[37] The priest-kings knew of the Masters and their nature, and thus arranged with them a dangerous bargain.[38]

The bargain was simple: the Masters were to feed the priest-kings a new meat, a form of transcendent flesh. To the Masters, this price was surprisingly manageable, as they had someone they could use as a scapegoat.[39] That "someone" was none other than Mr Candles,[40] the weakest of the Masters,[41] who was lured to the priest-kings by Mr Veils.[42] The priest-kings promptly ensnared Mr Candles, cut him open with their knives of obsidian, and greedily consumed his flesh, even as he screamed,[43] even as the bats rose from beneath the ground, even as the world opened up and the Third City fell.[44]

After the Fall[edit | edit source]

"As you look into the glass, something draws your eye. Hunched figures, like shadows cast on a cave wall, sit in perfect stillness. There are three, at least. They shuffle away from the glass, and are swallowed into the dark."[45]

"Our stomachs growl. Our knives are sharp. We are so hungry. So hungry."[35]

A strange statue.
A relic of the Third City.

After their infamous feast, the God-Eaters were able to incorporate parts of Mr Candles into themselves, allowing them to ascend the Judgements' Chain and gain immortality and great power.[46][47] They would go on to rule the Third City in the Neath, acting as living gods and ruling through possession of hidden knowledge and rituals rather than by pure force.[48] After the Third City began to decline, the God-Eaters left for a tomb-colony that eventually became Xibalba.[49] Later, during the time of the Fourth City, the God-Eaters managed to enthrall several of the citizens there to do their bidding,[45] forming the group of warriors and enemies of the Khan known as the Copper.[50]

However, the God-Eaters' greed and lust for power came back to bite them in a way even they couldn't anticipate: as time went on, their bodies grew old and withered, and their remains are now little more than husks. Their fearsome appearances may in fact be illusions:[51] the Mottled Man may merely be wearing the skin of an exotic animal, the Red Bird's feathers may only be a headdress made of cinnabar beads, and the Serpent-Handed may be a man holding a snake-headed staff.[52]

The God-Eaters still starve for eternity in their home of Xibalba, trapped in a cave[52] that exists between the Is and the Is-Not,[53] unable to sate their endless hunger, and they can only hope to communicate with the rest of the world through lenses made of black glass.[54] They have used the Red Science in order to infect the obsidian, establishing their influence through time to take over the minds of hapless victims.[55]

The Fidgeting Writers[edit | edit source]

"At first they watch, then they lean close - like the surface of the moon! - and begin to eat. They start with your fingers, then suck on your heart. They eat and eat, every bit of you until there's nothing left but them."[56]

"Come back here. Give us meat. We made a deal. We have to eat."[35]

"We will find you again. You cannot run away. We will find you, and feast in your skull when you sleep. You cannot run away from a dream."[35]

A sepia tone picture of a man.
A Fidgeting Writer.

As their condition grew more and more dire, the God-Eaters needed to find a way to solve or bypass their problem quickly - and in their typically diabolical fashion, they found one. Their solution was to invade the dreams of certain unfortunate individuals in the Neath and even on the Surface,[26] giving them horrifying nightmares of bestial giants consuming them bit by bit.[57] As the victim succumbs, they descend into near-insanity, writing madly of the God-Eaters' terrifying forms and the feeling of being watched,[7] their condition worsening the more they're allowed to write.[58] These Fidgeting Writers are then usually taken to a special wing of the Royal Bethlehem Hotel where they spend their last days away from any pens,[59] but those who aren't so lucky embark on trips across the Unterzee to Xibalba,[60] where the God-Eaters snatch and take over their bodies like blood filling a cleft.[4]

Historical & Cultural Inspirations[edit | edit source]

In Maya society, the k'uhul ajaw (holy lord) were not only political leaders but also sacred intermediaries between the human and divine realms. A central part of this role was the ritual impersonation of gods and mythic ancestors. In elaborate performances, kings and high priests donned headdresses, masks, and regalia that embodied divine beings. A ruler might appear wearing the visage of the Maize God, or carry the lightning axe and symbols of the storm god Chaac. These impersonations were not simply theater, as to the Maya, the god was the ruler. Such rituals reinforced royal legitimacy: if the Maize God "walked" again in the king’s flesh, then the king affirmed his role as guarantor of fertility, cosmic balance, and worldly order.

The God-Eaters, being rulers of the Third, each correspond to a Maya deity or supernatural force:

  • The Red Bird appears as a seven-starred bird-king of the false sun, with jade teeth, gimlet eyes, golden talons, vast wings, and a crown of smoke.[61] This closely parallels Vucub Caquix (Seven-Macaw), the demon bird who appeared in the Popol Vuh: a false sun whose jeweled eyes blazed with false brilliance, perching daily on a great tree to feast on its fruits.
  • The Mottled Man is described as "the night sun, whose sphere is war."[62] This corresponds to the Jaguar God of Terrestrial Fire and War, often assumed to be the "Night Sun," for the shape supposedly taken by the sun god Kinich Ahau during his nightly journey through the underworld.
  • The Serpent-Handed is more ambiguous. He may be Kʼawiil, a deity depicted with a serpent as one leg and frequently carried as a sceptre by rulers to symbolize dynastic power. Alternatively, he could be Kukulkan, the great feathered serpent, a god of wind, rulership, and renewal across Maya culture (his Aztec counterpart is the more famous Quetzalcōātl).

References[edit | edit source]

  1. Talk to her about the Tomb-Colonies, Fallen London
  2. Lens of Black Glass, Fallen London
  3. Talk to him about the Tomb-Colonies 4, Fallen London "They’re not like the other tomb-colonists. [...] I wonder if they were the first..."
  4. 4.0 4.1 4.2 Talk to him about the Tomb-Colonies 4, Fallen London "'[…] The place we ended up was called Zi... Zib... […] the chaps in charge have been around for near a thousand years. And none of yer funny cider either. They pass from body to body […] A sort of smoke, around the bandages. […]'"
  5. Ask her what a Tomb Colonist would say about this, Fallen London "[…] the rulers who led more by ritual […] that their gods lived among them […] that when a hero died, they put his head in the cleft of a tree in Xibalba […]"
  6. Talk to him about the Tomb-Colonies (2), Fallen London "That d__n fool of a captain got us lost, and we ended up in some uncharted, miserable Tomb-Colony. […] Three of them: the Snake, the Red Bird, the Cat. I think they started human […] We only got out because the Cardsharp beat them at rummy."
  7. 7.0 7.1 7.2 7.3 7.4 There's something familiar about this tale..., Fallen London "It's the work of a Fidgeting Writer whose clear talent never translated into success. […] But something about it is familiar, like an itch on the inside of your skull. This poem in particular, in which the protagonist is scrutinised by bestial giants."
  8. Talk to him about the Tomb-Colonies (2), Fallen London "They play games, and they don’t cheat."
  9. Talk to her about the Tomb-Colonies 2, Fallen London "[…] captain […] took us[…] there. They feared me […]. They fear those who seek the Name. Perhaps we can undo everything they've built. Perhaps they know the Name. Perhaps they took it and hid it behind a black mirror. What do you think of that, eh?"
  10. 10.0 10.1 Track down the Fidgeting Writer, Fallen London "He tells you about the dreams […] their skies are filled with giants: the Mottled Man, the Serpent-Handed, the Red Bird. You've heard those names before! […] The work of an anonymous surface-poet. Curiously, you came across a copy of it […]"
  11. There's something familiar about this tale..., Fallen London
  12. 12.0 12.1 12.2 Talk to her about the Tomb-Colonies 1, Fallen London "'Whether the captain was a drunken fool or just a drunk, I don't know. But we ended up in the wrong Tomb-Colony! An awful place. It was bad enough to have to leave at all, but this place! Ruled over by ancient tyrants! Serpent, Red Bird and Cat. (…)'"
  13. Make him dream and see what he sees, Fallen London "They fill the sky […] cat's teeth and mottled skin […] hands are serpents. The bird […]"
  14. Burn his works. Break his pen. Escort him to the Royal Beth, Fallen London "I'm not the first. Not the last. How many others have they eaten? Their appetites are measured in centuries!" […] "the Mottled Man roars; the heav'ns crack!" "...the serpent's tongue caressed my eye..." "Give me a pen! Let them have me!"
  15. Room Number at the Royal Beth, Fallen London "A sign hangs in the corridor […]. 'No knives. No pens.' The room's inhabitant has been there a long time, dosed with a dilution of laudanum. 'I know secrets!' He hisses through the keyhole. 'Secrets of the past! The Mottled Man and his bishop-kings!'"
  16. Crawl inside a cocoon, Fallen London
  17. Glimpse of Something Larger, Fallen London "The Mottled Man, the Cinnabar Bird - you're on the edge of a deep mystery, here..."
  18. Make him dream and see what he sees, Fallen London "The bird whose red feathers whisper like a crowd of murderers."
  19. Crawl inside a cocoon, Fallen London "You wriggle into the papery shell. […] a crowd waits. Your feathered headdress sways and bobs with your steps. The stone knife is hot in your hand. The red bird waits high in the sky. You are a priest. Its priest. You are doing what must be done."
  20. Chain the Veils of the Third City in Parabola, Fallen London "You chain it in Parabola at the base of your tree there. The roots of the tree grow through its flesh; the fruits of the tree are saturated by its will. It does not die. Its worshippers visit the place as a sacred shrine."
  21. Capture Third City Veils, Fallen London "OLD PRIEST-KINGS [...] WE WERE ALL GODS TO THEM."
  22. The Long-Dead Priests of the Red Bird, Fallen London
  23. Consult the Priests of the Red Bird, Fallen London "Sometimes they are seven, sometimes four, sometimes only one. They speak slowly, their words rising to you like a bubble in honey."
  24. Hand over this dream as an offering, Fallen London "They attend in their headdresses. Their expressions are solemn but their eyes are hungry. They harvest the dream, cutting pieces out of it with a pruning-blade, as if […] grapes in a vineyard. Harvesting from the sleeper, and from Parabola itself."
  25. Burial of the Dead: the Choice of Kings, Fallen London
  26. 26.0 26.1 Glimpse of Something Larger, Fallen London "A Fidgeting Writer and an anonymous Surface poet have written – years apart! – about watchful giants: a mottled man, a bird of cinnabar, another with snakes instead of hands. You've a copy of the surface poem […] it's signed with a strange ideogram..."
  27. Burial of the Dead: the Choice of Kings, Fallen London "[...] A man is waiting for you there, sat on the hot stone, looking out at the vista. He is starvation-gaunt and wizened, and holds a serpent-headed staff. You are hit with a strong, sudden smell of petrichor. When he speaks, his voice is leaden with regret. "It is gone, now. We gave it up, so we could persist. And now I wonder if it is better to be consumed than to endure." There is a distortion in the air, as if you were looking at him through a lens, and he is gone."
  28. 'Of course, I climbed the building...', Fallen London "I feel the familiar sense of regret […] It comes with a sense of arrogance. […] Whatever I did, I am sure the world deserved it."
  29. Talk to him about the Tomb-Colonies (2), Fallen London
  30. Talk to him about the Tomb-Colonies (3), Fallen London "'[…] our captain […] landed us at the wrong port. […] A time before the Kings shrivelled. Glass gates, glass pillars... I tried to paint it. I tried.. The canvas isn’t safe to burn[…]. I keep it in my lumber-room, where I can’t hear it of a night..'"
  31. Talk to him about the Tomb-Colonies (2), Fallen London "Dust and death and smoke and glass."
  32. Talk to him about the Tomb-Colonies 1, Fallen London "I can recall [...] sound [...] Like a school-yard full of vicious children."
  33. Talk to him about the Tomb-Colonies, Fallen London "You've heard that she once spent some time at a little known Tomb-Colony off the main shipping lanes."
  34. Look into the water 1, Fallen London
  35. 35.0 35.1 35.2 35.3 My Kingdom for a Pig, Fallen London
  36. My Kingdom for a Pig, Fallen London "Beasts slaughtered, feasts spread on the floor. [...] We chew. [...] we devour the dead until our hungers have been fed. Feed us. Feed us more than the dead."
  37. Homecoming, Fallen London "Tricked by creatures as low as you. Led into a trap. Imprisoned for aeons. [...] Forced to sacrifice—"
  38. Capture Third City Veils, Fallen London "THE OLD PRIEST-KINGS KNEW OUR KIND. WE WERE ALL GODS TO THEM. WE ALL ENTERED INTO THEIR BARGAIN."
  39. My Kingdom for a Pig, Fallen London "It isn't really much to pay. [...] [...] someone else can take the fall to feed them, feed them something more. Just sign here."
  40. Accept the Name!, Fallen London "The light on the edge of sleep was mine. I was Mr Candles. I will not be again."
  41. Enter the lighthouse., Fallen London "But it is clear that he was aware of his deficiency [...]"
  42. The price, the price, the price, the price, the price, the price, the price, the price, the price, the price, the price, Fallen London "They said – they called me by my name – I need only go up and the priests would take a little. The gratitude in their song! We embraced before I rose. You of cloth and shadow, you enemy, you proud-singer, you led the way. I will poison you with airs."
  43. Pervert your studies, Fallen London "They hooked him [...] Their knives [...] were dark and sharp [...] He screamed then [...] and they opened their mouths [...]"
  44. Look into the water 0, Fallen London "Men draped in fabrics bright with geometric patterns and dark with blood. They gnaw on something. Their mouths are smeared. Bats cry out: they look up, and return to their feast. Their faces are rapt. Ripples consume them."
  45. 45.0 45.1 The Chalcocite Pagoda 2, Fallen London "[…] heads of snakes and jaguars and cinnabar birds leading a procession of people in Fourth City clothing. At the centre of the pagoda is a shard of black glass, […] Hunched figures, […] They shuffle away from the glass, and are swallowed into the dark."
  46. You have rejected wine and song, Fallen London "[…] the flesh and blood of the Twelve is intoxicating and transcendent. If you consume something greater, then you may incorporate it: unless it incorporates you. […] This is the lesson of Couriers. This is the lesson of the knives and the pool."
  47. Look into the water 1, Fallen London "A celebration! The God-Eaters lick their fingers, not to waste a scrap. They will live forever now. Much good will it do them."
  48. Ask her what a Tomb Colonist would say about this, Fallen London "[...] the rulers who led more by ritual and hidden knowledge than by control. The saying that their gods lived among them [...]"
  49. The Path of Blood and Smoke, Fallen London ""Once it was just another tomb-colony. But after the Third fell into ruin and disrepair, the Priest-Kings took it for their own. [...] After that, the people called it Xibalba – 'the place of fright'. [...] It's lost, now. Hidden from the Neath by the arts of the Priest-Kings, a dark haven for them and their faithful.""
  50. The Chalcocite Pagoda 1, Fallen London "The Khan of Dreams, who is merry. The Khan of Swords, who does not speak, but who wields a blade in either hand. The Khan of Fires, who rules incense, and now candles. The butcher Khan of Hearts, the farmer Khan of Roots. The Khan of Drums, whose dance cannot be denied... They have other names now. But their enemies - the Rosers, the Copper, the Motherlings - do those survive in any form?"
  51. Make him dream and see what he sees, Fallen London "As sense returns, you try to impose reason on the nightmare."
  52. 52.0 52.1 Look through the Lens, Fallen London "You see a bare cave. People huddle on the other side of the lens. Their regalia is archaic: the skin of a spotted cat, a beaked head-dress of red beads, a serpent-headed staff. They're tattooed and emaciated, clearly starving."
  53. The Path of Blood and Smoke, Fallen London "Dust and death and smoke and glass. This place is insubstantial as a dream – as a city glimpsed through a conflagration. A word rises unbidden in your mind: Xibalba. The lost tomb-colony, nestled here between Is and Is-Not."
  54. Look through the Lens, Fallen London "They're tattooed and emaciated, clearly starving. [...] One of them lunges for the lens."
  55. The Path of Blood and Smoke, Fallen London "This act of the Science is so perverse and ancient that it is more black than red, and for a moment the vile schematic of its working is laid bare. A river of ravenglass. In its reflection, an ancient cave, three voracious warrior-kings huddled around its obverse mirror. The black glass a tether between two times, through which one mind might devour another. Blood – betrayal – to create and maintain the link between two moments that should never touch."
  56. Visit him regularly and ask the Manager about his stay, Fallen London
  57. Visit him regularly and ask the Manager about his stay, Fallen London "At first they watch, then they lean close – like the surface of the moon! – and begin to eat. They start with your fingers, then suck on your heart. They eat and eat, every bit of you until there's nothing left but them."
  58. Visit him regularly and ask the Manager about his stay, Fallen London "Its sufferers' condition worsen as long as they are allowed to write about their dreams."
  59. Burn his works. Break his pen. Escort him to the Royal Beth, Fallen London "'Another one for the Veils Wing,' [...]"
  60. Make him dream and see what he sees, Fallen London "You dream of giants as big as the sky. Your mind can only contain fragments of them: feathers of cinnabar, mottled skin, coiling serpents. They ignore you, and instead one stoops low and devours the Fidgeting Writer. His screams are piercing, but brief. [...] He was at Wolfstack Docks later that night, speaking a language no one had ever heard. He boarded a ship for the Tomb-Colonies. But the Tomb-Colonists say he never arrived."
  61. The Path of Blood and Smoke, Fallen London "[...] The seven-starred bird-king of the false-sun, with his teeth of jade and gimlet eyes. Vast wingbeats scatter a crown of smoke. Golden talons [...]"
  62. The Path of Blood and Smoke, Fallen London "You leap, and the muscles of your flank ripple with exertion. Your lips draw back over your canines in a snarl. Beneath your unsheathed claws, the Emissary's form flickers, changes – a shadow of prey-shapes, rabbit, mouse, stag, bloodied bodies in the shifting fashions of the Third and Fourth Cities. You are the night sun, whose sphere is war, and unto you is given the task of securing the future, and you exult in this sacred duty. [...]"