The Second City
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"Never mention the Second City to the Masters of the Bazaar. Mr Wines will look at you narrowly and give you its worst vintage. Mr Cups will fly into a rage. Mr Veils will harangue you for your discourtesy. Mr Iron will say nothing, only write down your name with its left hand."[1]
"Certain of the Masters of the Bazaar - Mr Stones, Mr Apples and Mr Wines, and possibly others - seem to have a particular contempt for Egypt and the Egyptological. Perhaps they're simply reacting to the fashion for the Pharaonic that overcame London before the Descent. But it's unusual that they should care."[2]
"...and the second betrayed..."[3]
The Second City was originally located in ancient Egypt, dating back to the Eighteenth Dynasty (16th-13th centuries BCE). Its remnants live on in Visage and Arbor, and have more recently resurfaced throughout London. The Salt Lions hail from the city as well.
The Second Fall
As the First City neared the end of its unnatural lifespan, the Masters of the Bazaar turned their gaze elsewhere. The Pharaoh of a great desert civilization knew of the Bazaar,[4][5] made overtures to it,[6] possibly to sell his city to the Messenger[7] in exchange for a way to ascend the Great Chain of Being.[8][9] But whatever the Pharaoh had planned was undone by his own daughter.[10]
The Duchess, then a younger daughter of the Pharaoh, was formally betrothed to him by royal decree, yet her heart belonged to a humble scribe. In secret desire to escape her imposed betrothal and join her lover, she dispatched a cobra to poison the Pharaoh.[11] Almost immediately, remorse overtook her,[12][13] and she sought to undo her crime by bargaining with the Bazaar: she would surrender her entire city in exchange for her father’s life.[14][15] The Masters' methods kept him alive, but transformed him into the oozing venom-monster known as the Cantigaster.[16] He was apparently coherent enough early on to speak to his subjects, but it may be that his daughters was impersonating their father to hide his condition.[17]
When the city was drawn down into the Neath, the Masters declared themselves Pharaohs and ruled in the Pharaoh’s place.[18] However, the Pharaoh’s Daughters hatched a plan to remove the Masters from the equation: the sisters deceived the Masters by inviting them to a funeral procession,[19] which would conclude in a temple called the House of Feathers,[20] there they were led inside and the eldest sister went with them (or the funeral was for eldest and her being dead was part of the trick).[21][22] Whatever the case, the Poisoned Priestess's sacrifice successfully trapped the Masters in there for 2400 years, making the Second City the longest-lived of the Fallen Cities.[23] Unfortunately for the sisters, the Masters' long imprisonment would end eventually. The Masters were contacted by the Priest-kings of the future Third City[24] who wanted to sell their city to the Bazaar in exhange for a very special type of meat.[25] The Masters, desperate to be free, agreed to the bargain and the priest-kings then helped them escape.[26][27] Once they managed to break free, the Masters tricked one of their own into sacrificing himself to fulfill the deal with the priest-kings.[28] After their release, the Masters hunted the sisters. Most evaded them, scattering across the Neath and beyond. The Duchess, however, was captured and held hostage[29] (maybe she acted as bait, the sisters apparently drew straws for this).[30] Their imprisonment left a deep trauma in the minds of the Masters, and a mere reminder of the Second is enough to send them into a rage.[31] The field of Egyptology is suppressed.[32] Artifacts from the Second City are practically illegal.[33]
With the Masters imprisoned, the sisters sought a way to protect their people from the Bazaar’s lingering influence and a place to flee to if the Masters ever to escape.[34][35] They turned to Parabola, the dream-mirror-realm, and began plans there. Prior to the Second City, Parabola had very little light.[36] To bring light to Parabola, the sisters commissioned an artisan of the Neathbow, later known as the Mistress of the Skies,[37] to craft an artificial sun.[38] With the aid of ushabtis, she undertook the task.[39] The precise details of the Parabolan sun's construction are unclear, but it seems that the sisters modified the egg of the Boil of Calamities in its shell,[40] resulting in the egg presumably hatching into an object made of glass.[41] The citizens of the Second City then proceeded to construct and raise the Parabolan sun using a ritual involving glassblowing and prayer,[42] and the newly-born sun scorched the Parabolan landscape and melted the colors of the sky itself.[43] providing warmth and light for agriculture,[44] pottery, and the growing of wheat in the Neath’s lightless depths.[45] Encouraged, the sisters moved on to the next stage of their plan, and began work on the Palace of the Rising, so that the citizens of the Second had a place where they could live in sunlight once more.[46][47] The next step was to create ushabtiu, funerary vessels designed to house the preserved bodies of the Second City's people, allowing their minds to wander freely in Parabola. Unfortunately, their plans fell through and the sisters were forced to flee, leaving the whole project unfinished.[20] Another hitch in the plan was that the surge of lacre when the city neared its end annihilated most of the citizens' physical bodies alongside the rest of the Second City; the few who survived were changed irrevocably.[48] The ushabtiu that remain are able to retain their memories while sealed,[49] but when opened, their memories vanish,[49] and they become confused and filled with resentment.[50]
Survivors
Four of the Duchess's five sisters still live yet. The eldest sister sacrificed her life to ensure the success of the family's plan, but still remains as the undead Poisoned Priestess. The second is the Obstinate Adoratrice, who is intent on finishing her older sister's work in building the Palace of the Rising in Parabola. The third sister is the Mother Superior of Abbey Rock. The Duchess is most likely the youngest sister,[51][52] but some sources suggests the youngest is no more,[53] with even the Adoratrice suggesting the youngest perished on the Surface, which would mean that the Duchess is the fourth instead[54] (sometimes you just forget who your siblings are apparently). The fifth became the first Roseate Queen of Arbor.
Culture
The Second City was renowned for its mastery of toxicology, a field in which it excelled thanks to its access to exotic and now-extinct creatures.[18] Among these, none were more sacred than the crocodile.[55] These creatures were bred by the priesthood to be albino, adorned with elaborate jewelry, and venerated as divine symbols.[56] One such creature, the Yolk-in-Yearning, a crocodile possessed by a Fingerking while still in its egg,[57] served as the City's key to opening a path into Parabola.[58][59]
As with all the Fallen Cities, the Second engaged in diplomacy with the powers of the Neath. Though the extent of its success remains uncertain, it is clear that the Presbyterate harbored a lasting contempt for it.[60] Spiritually, the Second retained deep ties to its surface heritage: before the Fall, its people worshipped a sun-god[61] known as the Aten,[62]and even after descending into the lightless deep, they continued their solar devotions.[45]
Linguistically and culturally, the Second City evolved in strange directions. Its hieroglyphic writing began to diverge from surface conventions, increasingly shaped by the influences of the Correspondence.[63] While barley and beer remained staples of their agriculture, the Second also experimented with fungal fermentation, developing alcoholic brews from mushrooms, uniquely adapted to their new subterranean home.[64] The City had a developed irrigation system,[65] which they created by diverting the waters of Hell.[66] The streets of the Second City were illuminated with oil lanterns[67] and street lamps.[68]
Historical Inspirations
While some neocartographers in London speculate in favor of Alexandria,[69] there is abundant proof that the Second City was instead Amarna, briefly the capital of ancient Egypt under Akhenaten. Amarna was constructed around 1346 BCE on the east bank of the Nile, in a previously uninhabited area. Its creation was inseparable from the religious vision of Akhenaten, who broke with the powerful cult of Amun and elevated the Aten, the sun disk, as the supreme deity. This monotheistic or henotheistic shift (scholars debate the degree) was radical in a polytheistic society. Akhenaten claimed that the Aten could only be properly worshipped in the new city, away from the entrenched priesthoods of Thebes. Amarna was thus both a physical and symbolic break from tradition. The city’s layout centered around open-air temples designed for solar worship, with a direct axis aligned to the sun. It was built rapidly, reflecting the urgency of the king’s religious mission. Key structures included the Great Aten Temple, the royal palace, and a series of elite residences and administrative buildings. Hundreds of clay tablets in Akkadian (the diplomatic lingua franca), called the Armana letters, were discovered at a “Bureau of Correspondence” in the city, revealing extensive foreign relations.
The Amarna Period is perhaps best known for its distinct art style. Unlike the rigid formality of earlier Egyptian art, Amarna art portrayed the royal family with startling naturalism. Akhenaten, his wife Nefertiti, and their daughters are shown with elongated limbs, prominent stomachs, and tender familial gestures. These depictions were often deeply personal, showing the pharaoh not as a remote god-king but as a father and husband. This artistic revolution may have reflected theological beliefs: the king and his family were intermediaries between the people and the Aten. Literature and language also changed. Official inscriptions used a more casual and fluid hieroglyphic style, and the famous Hymn to the Aten, likely written by Akhenaten himself or his court poets, echoes themes found later in monotheistic traditions.
Despite its cultural vibrance, Amarna was not built on strong political foundations. Akhenaten's religious reforms alienated powerful groups, including the priesthoods and possibly even the military. Egypt’s foreign influence waned during his reign, as shown by the Amarna Letters—a cache of diplomatic correspondence found in the city—revealing vassals in Canaan pleading for help against invaders, often ignored. Akhenaten's death around 1336 BCE marked the rapid end of Amarna. His likely successors, including the boy-king Tutankhamun (possibly his son), quickly restored the old gods, moved the capital back to Thebes, and dismantled Amarna both physically and ideologically. Akhenaten's name was later erased from monuments, and his reign was condemned as heresy.
References
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