The Tentacled Entrepreneur: Difference between revisions
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</ref> He does not speak English, preferring to use placards and picture books to communicate,<ref>[https://fallenlondon.wiki/wiki/The_Tentacled_Entrepreneur_(Card) The Tentacled Entrepreneur (Card), ''Fallen London''] ''"When speaking one-on-one, the Entrepreneur relies on a picture based phrase-book to convey complicated concepts. However, this is of little use for Mayoral campaigning; persuading Londoners one at a time would take years."''</ref> and like most of his species, he struggles with human etiquette and food despite putting in great effort.<ref name=":0">[https://fallenlondon.wiki/wiki/...is_heading_hopefully_in_your_direction ...is heading hopefully in your direction, ''Fallen London''] ''"[His] grasp of etiquette is superficial, hinging on trappings and ritual. Having refused to give up his hat, coat, and cane, he perspires fiercely […] and shakes your hand for the entire length of your conversation, leaving glistening deposits behind. […]"''</ref><ref>[https://fallenlondon.wiki/wiki/...is_confused_by_the_cutlery ...is confused by the cutlery, ''Fallen London''] ''"But really, how is something with a face full of tentacles supposed to eat soup? You are among the guests splattered in its determined attempt, and are stuck with the stains for the rest of the evening."'' | </ref> He does not speak English, preferring to use placards and picture books to communicate,<ref>[https://fallenlondon.wiki/wiki/The_Tentacled_Entrepreneur_(Card) The Tentacled Entrepreneur (Card), ''Fallen London''] ''"When speaking one-on-one, the Entrepreneur relies on a picture based phrase-book to convey complicated concepts. However, this is of little use for Mayoral campaigning; persuading Londoners one at a time would take years."''</ref> and like most of his species, he struggles with human etiquette and food despite putting in great effort.<ref name=":0">[https://fallenlondon.wiki/wiki/...is_heading_hopefully_in_your_direction ...is heading hopefully in your direction, ''Fallen London''] ''"[His] grasp of etiquette is superficial, hinging on trappings and ritual. Having refused to give up his hat, coat, and cane, he perspires fiercely […] and shakes your hand for the entire length of your conversation, leaving glistening deposits behind. […]"''</ref><ref>[https://fallenlondon.wiki/wiki/...is_confused_by_the_cutlery ...is confused by the cutlery, ''Fallen London''] ''"But really, how is something with a face full of tentacles supposed to eat soup? You are among the guests splattered in its determined attempt, and are stuck with the stains for the rest of the evening."'' | ||
</ref> Before the Entrepreneur had his system of alternative communication, he spoke the rather musical Rubbery language,<ref>[https://maskoftherose.miraheze.org/wiki/Batachikhan#Returning_the_Amber Batachikhan: Returning the Amber, ''Mask of the Rose''] ''Batachikhan: "He makes a series of burbling squeaks, escalating in pitch, volume and duration. He makes a percussive noise through the application of several tentacles into each other at studied intervals."''</ref> and was assisted in translation by a [[Fourth City]] woman called [[Barqujin]].<ref>[https://maskoftherose.miraheze.org/wiki/Batachikhan#His_Ambition Batachikhan: His Ambition, ''Mask of the Rose''] ''"Batachikhan hoots appreciatively and produces a piece of slate. Another tentacle holds a piece of chalk. Barqujin reluctantly takes the chalk and slate while Batachikhan gestures."''</ref> | </ref> Before the Entrepreneur had his system of alternative communication, he spoke the rather musical Rubbery language,<ref>[https://maskoftherose.miraheze.org/wiki/Batachikhan#Returning_the_Amber Batachikhan: Returning the Amber, ''Mask of the Rose''] ''Batachikhan: "He makes a series of burbling squeaks, escalating in pitch, volume and duration. He makes a percussive noise through the application of several tentacles into each other at studied intervals."''</ref> and was assisted in translation by a [[Fourth City]] woman called [[Barqujin]].<ref>[https://maskoftherose.miraheze.org/wiki/Batachikhan#His_Ambition Batachikhan: His Ambition, ''Mask of the Rose''] ''"Batachikhan hoots appreciatively and produces a piece of slate. Another tentacle holds a piece of chalk. Barqujin reluctantly takes the chalk and slate while Batachikhan gestures."''</ref> | ||
[[File:Barqujin.png|thumb|Barqujin]] | |||
The Tentacled Entrepreneur has also been known as '''Batachikhan''', a name that he and Barqujin chose together.<ref>[https://maskoftherose.miraheze.org/wiki/Batachikhan#Census_Options Batachikhan: Census Options, ''Mask of the Rose''] ''"Based on consultation of a favourite epic of mine, we decided upon Batachikhan."''</ref> Among his kind, names and binary gender are foreign concepts,<ref>[https://maskoftherose.miraheze.org/wiki/Batachikhan#Entrepreneur_introduction Batachikhan: Introduction, ''Mask of the Rose''] ''"Names are unknown to his people."''</ref> but upon his arrival in [[London]], he insisted upon being recognized as masculine.<ref>[https://maskoftherose.miraheze.org/wiki/Batachikhan#Entrepreneur_introduction Batachikhan: Introduction, ''Mask of the Rose''] ''"Though of course, he is not a man. But he has insisted upon the masculine."''</ref> Batachikhan is several centuries old,<ref>[https://maskoftherose.miraheze.org/wiki/Batachikhan#The_Census Batachikhan: The Census, ''Mask of the Rose''] ''"We have functioned admirably these last centuries. Why you wish to change the arrangement is beyond me."''</ref> and emerged from what is now called [[Flute Street]] around the time of the [[Fall of London]]. Chosen by his fellow [[Rubbery Men]] as an emissary to the newly transported city, he was entrusted with preparations for the eventual emergence of more of his kind.<ref>[https://maskoftherose.miraheze.org/wiki/Batachikhan#His_Ambition Batachikhan: His Ambition, Mask of the Rose] ''"He has a purpose. To go ahead. To prepare the path. For the others. They wait below."''</ref> He did not seek power or conquest, but commerce and social understanding,<ref>[https://maskoftherose.miraheze.org/wiki/Batachikhan#His_Ambition Batachikhan: His Ambition, ''Mask of the Rose''] ''"REQUESTED FRIEND-PARTNER-ENEMY BARQUJIN ESSENCE-GATHER —COMMERCE-BARTER MERCHANT-DREAMS TRADE-COIN-WANT"''</ref> reasoning that trade would be the best way to secure a place for his kind among humanity. More than anything, he obsessed over the idea of owning a shop<ref>[https://maskoftherose.miraheze.org/wiki/Batachikhan#Returning_the_Amber Batachikhan: Returning the Amber, ''Mask of the Rose''] ''"Batachikhan makes an aggrieved honk. He need not wait. A shop of his own. Now."''</ref> — a vision of himself behind a merchant’s counter, tentacles deftly arranging wares, serving customers as any proper Londoner would. | The Tentacled Entrepreneur has also been known as '''Batachikhan''', a name that he and Barqujin chose together.<ref>[https://maskoftherose.miraheze.org/wiki/Batachikhan#Census_Options Batachikhan: Census Options, ''Mask of the Rose''] ''"Based on consultation of a favourite epic of mine, we decided upon Batachikhan."''</ref> Among his kind, names and binary gender are foreign concepts,<ref>[https://maskoftherose.miraheze.org/wiki/Batachikhan#Entrepreneur_introduction Batachikhan: Introduction, ''Mask of the Rose''] ''"Names are unknown to his people."''</ref> but upon his arrival in [[London]], he insisted upon being recognized as masculine.<ref>[https://maskoftherose.miraheze.org/wiki/Batachikhan#Entrepreneur_introduction Batachikhan: Introduction, ''Mask of the Rose''] ''"Though of course, he is not a man. But he has insisted upon the masculine."''</ref> Batachikhan is several centuries old,<ref>[https://maskoftherose.miraheze.org/wiki/Batachikhan#The_Census Batachikhan: The Census, ''Mask of the Rose''] ''"We have functioned admirably these last centuries. Why you wish to change the arrangement is beyond me."''</ref> and emerged from what is now called [[Flute Street]] around the time of the [[Fall of London]]. Chosen by his fellow [[Rubbery Men]] as an emissary to the newly transported city, he was entrusted with preparations for the eventual emergence of more of his kind.<ref>[https://maskoftherose.miraheze.org/wiki/Batachikhan#His_Ambition Batachikhan: His Ambition, Mask of the Rose] ''"He has a purpose. To go ahead. To prepare the path. For the others. They wait below."''</ref> He did not seek power or conquest, but commerce and social understanding,<ref>[https://maskoftherose.miraheze.org/wiki/Batachikhan#His_Ambition Batachikhan: His Ambition, ''Mask of the Rose''] ''"REQUESTED FRIEND-PARTNER-ENEMY BARQUJIN ESSENCE-GATHER —COMMERCE-BARTER MERCHANT-DREAMS TRADE-COIN-WANT"''</ref> reasoning that trade would be the best way to secure a place for his kind among humanity. More than anything, he obsessed over the idea of owning a shop<ref>[https://maskoftherose.miraheze.org/wiki/Batachikhan#Returning_the_Amber Batachikhan: Returning the Amber, ''Mask of the Rose''] ''"Batachikhan makes an aggrieved honk. He need not wait. A shop of his own. Now."''</ref> — a vision of himself behind a merchant’s counter, tentacles deftly arranging wares, serving customers as any proper Londoner would. | ||
Revision as of 23:37, 15 February 2025
"He may have unconventional means of communication, but he is a very experienced businessperson. His factories rival those of Mr Fires. His personal wealth exceeds that of His Amused Lordship. His tentacles are glossy and its eye perceptive."[1]
The Tentacled Entrepreneur is a Rubbery businessman based in London.
An Exemplar?
"He has a stranglehold on the amber trade and a warren of factories crammed with Rubbery workers. All his wealth, though, hasn't bought him more than a foot in society's door."[2]
The Tentacled Entrepreneur has achieved considerable success by embracing the principle that wealth commands respect. He is a kingpin of the amber trade,[3] which is the source of the bulk of his revenue.[4] He also oversees a network of factories that are primarily staffed by Rubbery Men[3] and dedicated to the mass production of toys, collectibles, and other goods,[5] but these are not a massive income stream and are implied to essentially be a front.[4] His first factory was established in Ealing Gardens,[6] and he has since relocated most of his operations there.[7]
Observing the rise of F. F. Gebrandt, another successful industrialist,[8] the Entrepreneur followed her lead in making connections with the Masters of the Bazaar in order to secure lasting influence.[9] Despite this and his broader success, societal acceptance remains elusive: members of the upper class are loath to be seen in his company,[10] and prejudice prevents him from conducting business freely.[11] He does not speak English, preferring to use placards and picture books to communicate,[12] and like most of his species, he struggles with human etiquette and food despite putting in great effort.[13][14] Before the Entrepreneur had his system of alternative communication, he spoke the rather musical Rubbery language,[15] and was assisted in translation by a Fourth City woman called Barqujin.[16]

The Tentacled Entrepreneur has also been known as Batachikhan, a name that he and Barqujin chose together.[17] Among his kind, names and binary gender are foreign concepts,[18] but upon his arrival in London, he insisted upon being recognized as masculine.[19] Batachikhan is several centuries old,[20] and emerged from what is now called Flute Street around the time of the Fall of London. Chosen by his fellow Rubbery Men as an emissary to the newly transported city, he was entrusted with preparations for the eventual emergence of more of his kind.[21] He did not seek power or conquest, but commerce and social understanding,[22] reasoning that trade would be the best way to secure a place for his kind among humanity. More than anything, he obsessed over the idea of owning a shop[23] — a vision of himself behind a merchant’s counter, tentacles deftly arranging wares, serving customers as any proper Londoner would.
Needless to say, Batachikhan has completed his mission and fulfilled his dreams... and then some. In his free time, Batachikhan makes pottery in a secret room at home;[24] supporters of his mayoral campaign received his art as souvenirs.[25]
Mayoral Campaign
"Unlike most politicians, the Entrepreneur does not leave gaps for interpretation in his words: he cannot. He communicates in mimes and contortions. Often, the Landscape Artist must take over, to translate. As Mayor, the Tentacled Entrepreneur will reinvigorate the creative spirits of the Neath. 'Life without art is unremitting drudgery! Inspiration leads to aspiration!'"[26]
In 1898, the Tentacled Entrepreneur ran for Lord Mayor of London under the undulating cry of "OTHATAROOTH!". The phrase means comradery, change, and a host of other things.[27] His vision was one of transformation through creativity, advocating for the artistic expression and societal inclusion of Rubbery Men.[28] He would host a salon devoted to Rubbery culture, and eventually establish a permanent home for their art; the rest of the plan would depend on London's response.[29] His campaign was managed by the Nocturnal Landscape Artist,[30] who also acted as his translator;[31] it attracted a strange combination of business folk and bohemians, for contrasting reasons.[32]
Behind the scenes, tensions simmered, as the Landscape Artist was using the Entrepreneur's finances to gain influence and secure his own patrons.[33] Additionally, the Entrepreneur's dealings with the Masters were not popular with all of his supporters; he had set up a protection racket for fellow Rubbery Men in exchange for supplying Mr Fires with amber.[9] Critics feared he was merely mimicking exploitative humans and using art for influence rather than genuine advocacy,[34] and his rival candidates questioned his independence.[35] Despite these concerns, the Entrepreneur became one of the most generous patrons of Helicon House, an existing but relatively new establishment for the promotion of Rubbery art, and worked to make it more accessible to the public during his candidacy.[36] His funding transformed it into a thriving hub that provided a platform for Rubbery and human artists to collaborate and explore unconventional media.[37]
Ultimately, the Viscountess of the Viric Jungle won the election, to the chagrin of the Nocturnal Landscape Artist. Although the Entrepreneur failed in his bid, securing Special Constabulary protection for his people was an important victory for their security.[38] He reevaluated his goals,[39] and chose to focus more on the promotion of Rubbery art; in addition to continuing his patronage of Helicon House,[40] he commissioned a Rubbery sculptor[41] to create more unique and interactive artwork for display in London.[42] His further plans for himself and his kin are yet to be revealed, but he has made a clear statement: rather than aimlessly striving for similarity with London's humans,[43] he is pursuing another path, and perhaps even a new beginning.[44]
Historical & Cultural Inspirations
The story of the Rubbery Men, and Batachikhan’s journey in particular, mirrors the experiences of immigrants in Victorian London who sought to integrate into society through commerce and industry. Despite facing deep-seated prejudice, many immigrants established successful businesses, carving out economic niches that fostered both community cohesion and gradual acceptance. For instance, much of London's Jewish community worked in clothing manufacturing, and thousands of Italian immigrants provided food and entertainment on the streets. Meanwhile, Chinese and Indian immigrants came to London as sailors, dock workers, and domestic laborers, but also built businesses like restaurants and laundry services that served both their own people and the wider public.
The late 19th-century Arts and Crafts movement emphasized traditional craftsmanship and sought to integrate art into daily life, as a reaction against the dehumanizing effects of industrialization. In Victorian Britain, art was frequently used as a vehicle for social reform, with exhibitions and public works promoting various causes. The Tentacled Entrepreneur’s efforts to establish salons and art spaces reflect this tradition of using artistic expression to challenge societal boundaries and advocate for change.
According to the Secret History of the Mongols, a 13th-century chronicle that documents the life of Genghis Khan and includes a semi-mythical account of his ancestry, Batachikhan (or Batachiqan) was the first Mongol, the son of a blue-grey wolf and a doe. Barqujin likely proposed this name for the Entrepreneur because he was the first of the Rubbery Men to make contact with London, and thus the first of his kind in a sense.
References
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