The Museum of Mistakes
"Everyone has heard of the Museum of Mistakes. Hardly anyone has been inside it."[1]
The Museum of Mistakes is a dusty old institution on Ladybones Road[2] run by the Ministry of Public Decency,[3] and a d__nable pain to actually get into. It holds all sorts of ancient things, reminders of old indiscretions and errors.
Halls of Shame[edit | edit source]
The Museum has seventy-seven doors, but not all of them are real; some are just painted onto the wall, while others hold traps designed to give any intruder a really miserable day.[4] Perhaps it’d be best to enter legitimately… but that might be an even more difficult task, given the bureaucratic labyrinth[5] that is the nine-stage application process.[6][7]
The following are known to be on display in the Museum:
- A corroded brass microscope smelling faintly of ammonia[8]
- Recovered musket-balls:[9] possibly from the Campaign of '68, London's catastrophic attempt to invade Hell
- Jade carvings[10]
- A half-eaten fig[11]
- A three thousand year old bit of black sailcloth, labelled 'Achaean, c 1200BC'[11]
- Thirty First City Coins:[11] may refer to the sale of the First City itself, or Judas' betrayal of Jesus in exchange for 30 silver coins.
- Diamonds[9]
- A stuffed two-headed bat, almost the size of a man[11]
- Two locks of hair; one amber, one dark[11]
Grim Reminders[edit | edit source]
The Dadd Wing contains the museum's collection of human remains[12][13] and requires a separate ticket to enter.[14] It houses glass cases, sarcophagi,[15] the skin of of human faces,[16] part of a skull,[17] and its oldest exhibit,[18] a collection of ushabti and canopic jars donated by one Troubled Painter.[19] This Painter lives in the Royal Bethlehem Hotel, and his name is implied to start with an R.[20]
Historical and Cultural Inspirations[edit | edit source]
The mysterious painter and namesake of the Dadd Wing may be Richard Dadd. In real life, Dadd was a troubled but prolific illustrator who produced most of his best-known work while in psychiatric hospitals (one of which was Bethlem Royal Hospital).[21]
The half-eaten fig references the biblical Book of Genesis; a serpent tempts Eve to eat the forbidden fruit of the Tree of Knowledge of Good and Evil, for which she and Adam are banished from Eden. Many interpretations have identified the fruit as a fig.
The black sailcloth is a nod to the legendary Greek hero Theseus, prince of Athens. Theseus is far from a perfect hero, and this cloth represents one of his earliest errors. He sails to Crete to slay the Minotaur, aiming to end the practice of sending fourteen young Athenians to Crete as tribute to sate the beast's hunger. Before Theseus left, he and his father King Aegeus had agreed that if he survived, he would hoist a white (or red) sail, and if he died, his ship's black sails would remain aloft. Unfortunately, Theseus forgets to change the sail upon his return, and when Aegeus sees the ship approaching, he assumes his son is dead. Overcome by grief, the king throws himself into the sea.
The locks of hair may be a reference to the biblical story of Samson, an Israelite blessed with superhuman strength provided he never cut his hair; and his lover Delilah, bribed by the rival Philistines to discover the secret behind his power. Delilah finally convinces Samson to confess the truth about his hair, and she cuts it while he sleeps. Left powerless, Samson is captured, blinded, enslaved, and finally paraded as a trophy at a great gathering of the Philistines. He prays to God for a final burst of strength, which he uses to bring down the temple over his head - sacrificing his own life to kill thousands of his enemies.
References[edit | edit source]
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