The Seventh Letter: Difference between revisions
KestrelGirl (talk | contribs) mNo edit summary |
KestrelGirl (talk | contribs) mNo edit summary Tag: visualeditor |
||
Line 10: | Line 10: | ||
''THE PRESTER SAITH: When I die, yet shall I not die. The hour of my death shall be chosen, yet no man shall choose it. I am eternal, and yet my reign in circumscrib'd by law and Fate. I will feast at my funeral, and my child shall be my cup-bearer.'' | ''THE PRESTER SAITH: When I die, yet shall I not die. The hour of my death shall be chosen, yet no man shall choose it. I am eternal, and yet my reign in circumscrib'd by law and Fate. I will feast at my funeral, and my child shall be my cup-bearer.'' | ||
''THE PRESTER SAITH: in the Garden is the Design; in the Garden occured the Ascents; in the Garden were selected the Shames. Therefore none shall enter it without that they be blinded with thorns and bound with the Three Oaths. And should any seek to alter the Design or repeat the Ascent or uncover the Shames, they shall be given to the Wax-Wind.'' | ''THE PRESTER SAITH: in the Garden is the Design; in the Garden occured the Ascents; in the Garden were selected the Shames. Therefore none shall enter it without that they be blinded with thorns and bound with the Three Oaths. And should any seek to alter the Design or repeat the Ascent or uncover the Shames, they shall be given to the Wax-Wind.'' | ||
Line 31: | Line 30: | ||
''RAVEN: Truly my voice is sweeter than the song of the stone, the swan, the storm....'' | ''RAVEN: Truly my voice is sweeter than the song of the stone, the swan, the storm....'' | ||
''(Enter a MESSENGER beribboned with RAGS of CLOUD.)'' | ''(Enter a MESSENGER beribboned with RAGS of CLOUD.)'' | ||
''RAVEN: (in haste) ...yet no sweeter than yours, great master. I acknowledge it so.'' | ''RAVEN: (in haste) ...yet no sweeter than yours, great master. I acknowledge it so.'' | ||
''MESSENGER: O blackness, o blackness, wherefore should I sing? When all of my songs are seared on my skin?'' | ''MESSENGER: O blackness, o blackness, wherefore should I sing? When all of my songs are seared on my skin?'' | ||
Line 48: | Line 44: | ||
OWLS: Why, great master, we watch. We wait. We eat. | OWLS: Why, great master, we watch. We wait. We eat. | ||
''MESSENGER: You watch and you wait and consume, you say. But is there not one who will make you his prey?'' | ''MESSENGER: You watch and you wait and consume, you say. But is there not one who will make you his prey?'' | ||
''OWLS: ....pray, great master, preserve us. Let us hear his shriekings no more, and we will serve you always.'' | ''OWLS: ....pray, great master, preserve us. Let us hear his shriekings no more, and we will serve you always.'' | ||
Line 76: | Line 70: | ||
''MESSENGER: You, again.'' | ''MESSENGER: You, again.'' | ||
''DRAGON: Yes. I remain the servant of your master. As do you. He awaits you.'' | ''DRAGON: Yes. I remain the servant of your master. As do you. He awaits you.'' |
Revision as of 01:02, 5 March 2020
Below is all we know about the scandalous and forbidden play, The Seventh Letter.
![]() | ||
---|---|---|
We'd love to post this text verbatim - so juicy! - but alas, FBG would not be happy with us. So we just have a few phrases that are actual lines from the play; we hope that's okay. The snippets in the non-fate-locked spoiler above go somewhere in between these. We also have some interesting information from the pen/keyboard of Alexis Kennedy himself, given at the request of fellow player and lore enthusiast Drake Dynamo. The actress playing the Raven (possibly one of the Masters) is introduced. She sings her aria, the Hymn of Shames. "The glowing-hearted mountain/ the river in the sky / the near night and the deep night...' According to Alexis, the Ravens - there are multiple - are "the lesser Incarnates of the Liberation [of Night?!] in the days before there was war in Heaven." The Messenger - the Bazaar, played by multiple actors of multiple gender identities - is introduced. There is a mention of "the Owls" (the Masters, according to AK) and the Hunter (perhaps the Vake though this is unconfirmed). The Phoenix, played by a beautiful Khaganian woman, gives her soliloquy: "I am so very tired of flames. I will drown myself in snow, and emerge in perfect serenity. Or emerge not at all." Rather than undress before her dramatic immolation as would be expected, she simply bursts into Correspondence flame. According to AK, the Phoenix is "an untroubled star, busy at the melodramas of the High Wilderness." In the final act, the seven Dragons punish the Messenger, the Sun, their daughter, the Hunter, and Time itself. "The Seventh Dragon recites the crimes of the Sun and the Messenger – Betrayal of Messages, Undelivery of Words, Vile Breeding, Conspiracy in Darkness, and Unlicensed Love." When the Dragon recites this last crime, the others scream in what can only be Correspondence, injuring the audience's ears. The curtain falls as the Dragons feast on their prisoners. The dragons, by the way, are "the enforcement-emanations of Law." And "Time is (as Aulus Gellius knew) the father of Truth, but is also of course in turn the child of Law." Thank you, AK - and Drake! |